Very beautiful singing bowls. Inside golden, outside black, except for the polished upper edge. 

Attention Please! You must order the singing bowl mallets separately.
 
Handmade singing bowl made of copper, tin and 8 noble metals (Ag, Ni, Cd, Ru, Pd, Pt, Cr, Mn).
 
Based on traditional Tibetan and Himalayan singing bowl traditions, the Ishana golden and black singing bowl (often referring to a specific type of high-quality handmade bowl, sometimes associated with specific energetic frequencies) is designed for deep meditation, chakra balancing, and sound healing. 
 
Meaning and Significance
Spiritual Energy: The Ishana bowl is generally crafted to represent high vibrational energy, often associated with spiritual awakening and the clearing of negative energy.
Chakra Balancing: It is frequently used in sound therapy to align the body’s energy centers, specifically targeting the upper chakras (throat, third eye, crown) to promote clarity and spiritual connection.
Symbolism of the Void: The sound produced is considered a "universal tone" or the "sound of the void," representing the underlying emptiness and interconnectedness of all existence in Tibetan Buddhism. 
 
Sound and Vibration
Resonant Tone: The bowl produces a sustained, rich, multi-layered harmonic tone that lingers in the air.
Vibrational Healing: When played (struck or circled with a mallet), it creates intense, low-frequency vibrations that can be felt in the body, promoting physical relaxation and cellular-level release of tension.
"Wah-Wah" Effect: Many high-quality handmade bowls produce a rhythmic, pulsating "wah-wah" effect—a type of vibrato—that helps guide the brain from active, stressed states (Beta) into deeper, calmer states (Alpha/Theta).
"Shimmering" Quality: The sound is often described as a shimmering, luminous hum that helps clear mental static and enhance mindfulness. 
 
In summary, an Ishana singing bowl is a therapeutic tool aimed at bringing harmony to the body and mind through deep, resonant, and pulsating sounds that facilitate meditation and energy work. 
Buddhas Art of Healing
 
Beaten Singing Bowls
Beaten or hand hammered singing bowls are made by way of a complete hand hammering process. Every single singing bowl is carefully hand beaten, which requires several processes to finish up and shape it into a perfect hand hammered singing bowl. In the making process, first the various composition of metals as raw materials (copper, tin, zinc, iron, lead, gold and silver) are melted in furnace, depending on manufacturing needs such as for the making of bronze singing bowls or for seven metal singing bowls. The hot melted metal is removed from the furnace and poured into dice to prepare a metal mould for the various sizes and weights. Then, the round metal moulds are cut into round metal discs in required size and thickness. After that, these discs are hand beaten or hammered, after precise measurement and categorised for weight and sized bowls.
Regarding the hand hammering process of singing bowls, 4 to 5 metal discs are piled up, one upon the other, and then heated to red hot. The red-hot metal sheets are hammered by a group of expert artisans, as long as the heat remains in the metal, and then again processed to red hot heating, for a continuous beating process. This heating and beating of the bundled and piled up metal discs continues until a desired shape and size is formed. (That is why the hammered or beaten singing bowls will be proportionately different in a size and diameter with each individual singing bowl.) During the hammering process of these singing bowls, the metal disc can only be hammered during the time of being red hot, while it remains soft and flexible. Because when the metal gets colder, it will lose its softness and flexibility, which in turn makes the metal brittle and thus the bowl could be ruined. The reason behind this intensive working process is that the metal content (bronze or seven metals mixture) is very sensitive to heat and gets harder when it loses its hot temperature and will get cracks and breaks.

After completion of shaping the desired bowls, the individual work will start. At this stage, every bowl is brought into uniform shape and size, and once more, this can only be done during the red-hot burning and heating and beating process. After finalising the shape and size, more hammering is done for a final fine tuning and shaping of the singing bowls. The individual singing bowls are then chiselled and scoured for the finishing touch, on both the inside and outside.
 
 
Size cm ± 10 - 11 cm
Total weight 340 grams 
Country of origin Nepal